Jürgen K. Schöpf, ‘The Wa kăpung dyo of the Tangsa in North East India, and a Suggestion for the Classification of
Thermoacoustic Instruments, Thermophones and Pyrophones’, GSJ, LXXI (2018), pp. 221-34.
Ture Bergstrøm, ‘The Music of the C. F. Lehmann Kunstschrank at Rosenborg Castle, Copenhagen’, GSJ, LXVIII
(2015), pp. 35-74.
C. F. Lehmann’s “Musical Cabinet”
Richard Haigh, ‘The “Apental” Piano’, GSJ, LVIII (2005), pp. 173-83.
THE GALPIN SOCIETY
FOR THE STUDY OF MUSICAL INSTRUMENTS
Musical Examples to
Illustrate GSJ Articles
Mary Oleskiewicz, ‘The Flutes of Quantz: their Construction and Performing Practice’, GSJ, LIII (2000), pp. 201-20.
Performers & instruments: Mary Oleskiewicz, transverse flute by Jean-François Beaudin after Quantz; Stephanie
Vial, baroque cello by William Forster; David Schulenberg, harpsichord by William Dowd after Michael Mietke; Jean-
François Beaudin, 2nd transverse flute after Quantz (in Example B).
THE GALPIN SOCIETY
FOR THE STUDY OF
MUSICAL INSTRUMENTS
Richard Haigh, ‘The “Apental” Piano’, GSJ, LVIII (2005),
pp. 173-83.
Musical Examples to
Illustrate GSJ Articles
Jürgen K. Schöpf, ‘The Wa kăpung dyo of the Tangsa in
North East India, and a Suggestion for the Classification of
Thermoacoustic Instruments, Thermophones and
Pyrophones’, GSJ, LXXI (2018), pp. 221-34.
Mary Oleskiewicz, ‘The Flutes of Quantz: their Construction
and Performing Practice’, GSJ, LIII (2000), pp. 201-20.
Performers & instruments: Mary Oleskiewicz, transverse
flute by Jean-François Beaudin after Quantz; Stephanie Vial,
baroque cello by William Forster; David Schulenberg,
harpsichord by William Dowd after Michael Mietke; Jean-
François Beaudin, 2nd transverse flute after Quantz (in
Example B).
Ture Bergstrøm, ‘The Music of the C. F. Lehmann
Kunstschrank at Rosenborg Castle, Copenhagen’, GSJ, LXVIII
(2015), pp. 35-74.
C. F. Lehmann’s “Musical Cabinet”
