THE GALPIN SOCIETY
FOR THE STUDY OF MUSICAL INSTRUMENTS
Open Access
GSJ Articles
Ignace De Keyser et al., ‘Brass Instrument Production by the Mahillon Company’,
GSJ, LXXVI (2023), pp. 67-108
Anne-Emmanuelle Ceulemans et al., ‘Baroque Violas with Reduced Soundboxes: An Evaluation Method’,
GSJ, LXXVI (2023), pp. 109-126
Rachael Durkin, ‘The Ingenious Mr Charles Clagget: Inventor and ‘Harmonizer’ of Musical Instruments’,
GSJ, LXXVII (2023), pp. 224-47
Andrew Pinnock, ‘Boring for Britain: the Design, Development and Mass Deployment of
Dolmetsch Recorders, 1920–1980’,
GSJ, LXXVI (2023), pp. 32-66
Any
author
requiring
Open
Access
is
strongly
advised
to
consult
the
Editor
(see
Contacts
).
A
fee
will
be
payable
to
the
Galpin Society at the time of publication. For further details see
Guidelines for Authors
.
Arnold Myers, ‘Instrument Making of the Salvation Army’,
GSJ, LXXIII (2020), pp. 30-59
Andrew Pinnock, ‘Boring for Britain (Dolmetsch Recorders 1920–1980): Six Brief Addenda’,
GSJ, LXXVII (2024), pp. 83-95
Panagiotis Poulopoulos, ‘Inspiration, Influence, Imitation? The Example of the Parisian Harp and Piano Maker
Georges Blaicher, “Distinguished Pupil of the Erard Brothers” ’,
GSJ, LXXVII (2024), pp. 155-164
THE GALPIN SOCIETY
FOR THE STUDY OF
MUSICAL INSTRUMENTS
Open Access GSJ Articles
Anne-Emmanuelle Ceulemans et al., ‘Baroque Violas with
Reduced Soundboxes: An Evaluation Method’,
GSJ, LXXVI (2023), pp. 109-126
Ignace De Keyser et al., ‘Brass Instrument Production by the
Mahillon Company’,
GSJ, LXXVI (2023), pp. 67-108
Arnold Myers, ‘Instrument Making of the Salvation Army’,
GSJ, LXXIII (2020), pp. 30-59
Andrew Pinnock, ‘Boring for Britain: the Design,
Development and Mass Deployment of Dolmetsch
Recorders, 1920–1980’,
GSJ, LXXVI (2023), pp. 32-66
Any
author
requiring
Open
Access
is
strongly
advised
to
consult
the
Editor
(see
Contacts
).
A
fee
will
be
payable
to
the
Galpin
Society
at
the time of publication.
For further details see
Guidelines for Authors
.
Rachael Durkin, ‘The Ingenious Mr Charles Clagget:
Inventor and ‘Harmonizer’ of Musical Instruments’,
GSJ, LXXVII (2023), pp. 224-47
Andrew Pinnock, ‘Boring for Britain (Dolmetsch Recorders
1920–1980): Six Brief Addenda’,
GSJ, LXXVII (2024), pp. 83-95
Panagiotis Poulopoulos, ‘Inspiration, Influence, Imitation?
The Example of the Parisian Harp and Piano Maker
Georges Blaicher, “Distinguished Pupil of the Erard Brothers” ’,
GSJ, LXXVII (2024), pp. 155-164
